RELATED IMAGES
Olympia, 1863
Artist: Edouard Manet (French, 1832 – 1883)
Medium or Technique: Oil on canvas
Dimensions: 130.5 cm × 190 cm (51.4 in × 74.8 in)
Accession Number: 22.61.307
Musée d'Orsay, Paris
The Toilet of Venus (The Rokeby Venus), 1647 – 1651
Artist: Diego Velázquez (Spanish, 1599 – 1660)
Medium or Technique: Oil on canvas
Dimensions: 122cm x 177cm (48in x 49.7in)
Accession Number: NG2057
National Gallery, London
“Still more Venuses this year... always Venuses!... as if there were any women built like that!” from “Sketches from the Salon,” published in Le Charivari, May 10, 1865.
Artist: Honoré Daumier (French, 1808 – 1879)
Medium or Technique: Lithograph on newsprint; second state of two (Delteil)
Dimensions: Image: 9 1/2 × 8 3/16 in. (24.2 × 20.8 cm)
Sheet: 11 5/8 × 11 5/8 in. (29.6 × 29.5 cm)
Accession Number: 22.61.307
Credit Line: The Metropolitan Museum of Art, Rogers Fund, 1922
Eugène Delacroix’s Étude de Femme or Study of a Woman, an etching completed in 1830, is an intimate and personal image that serves as a litmus test for how female nudity was represented in western European art in the early decades of the nineteenth century. Drawing upon the traditions established by acclaimed Spanish Baroque painter Diego Velázquez in his The Toilet of Venus (The Rokeby Venus) and heralding Edouard Manet’s controversial Olympia, Delacroix’s composition represents the growing craze for depicting female nudes that Honoré Daumier would satirize in his 1865 print targeting the surfeit of Venus-related images at the Paris Salon.
“Eugène Delacroix’s Étude de Femme in the History of the Female Nude” by Lilian Schmidt
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